- CA EDM MS-1071-EA-600-1959d
- 1949 January 49
Part of Edmonton Bulletin fonds
927 results with digital objects Show results with digital objects
Part of Edmonton Bulletin fonds
The fonds consists of hand painted cards with street scenes of Edmonton painted by Reg and sent to friends and family at Christmas. It also includes the notes sent with the card outlining details of the scenes and Reg’s memories of Edmonton.
Cards and accompanying notes include:
This series consists of records primarily created by The Vocal Minority Music Society, and includes administrative records as well as records around their activities and associations. There is a collection of published music and a file of photographs related to both the VMS and EVM. Included with the papers are EVM programs and GALA Festival information along with one EVM newsletter
The Vocal Minority Music Society / Edmonton Vocal Minority
The fonds consists of records relating to the Urban Reform Group of Edmonton (URGE), including production of a 1978 historical calendar, Board minutes, reports and correspondence. It also contains records relating to the Society for the Protection of Architectural Resources in Edmonton (SPARE) and personal correspondence.
The photographs consist mostly of buildings and street scenes in Edmonton and Toronto, ca. 1980, taken as part of research into heritage buildings for SPARE. They include the Ross Brothers and Brighton Block in Edmonton, and the St. Lawrence Market and Gooderham Building (flatiron) in Toronto (EA-560). One photograph is a portrait of Elly De Jongh used for an Edmonton Historical Board award in 1984.
The artwork consists of an ink drawing of Primrose House, 1979, as part of research on heritage buildings for SPARE (EAA-113).
De Jongh, Elly
The fonds consists of photocopies of sheet music, of three songs written by Chuck Bolton Jr.: 'Asia', 'The Lonesome Waltz', and 'High River Waltz'.
Bolton Jr., Chuck
The fonds consists of brochures and pamphlets on the history and promotion of the Alberta All Girls Drum and Bugle Band, photocopies of newspaper clippings and correspondence of trips to Paris (1973) and Germany (World Cup Championship 1974), and the Edmonton Journal “The Canadian Magazine” (Feb 1975) with a feature article on the band.
Alberta All Girls Drum & Bugle Band
This series consists of records of some of the clubs described above, but predominantly Club 70, The Imperial Sovereign Court of the Wild Rose (ISCWR) and The Roost Nightclub. There are early administrative records for Club 70, as well as newsletters and photographs. ISCWR records include Coronation programs and information from the first coronation in 1976, and then further programs and records from courts held from 1985 to 2009. There are numerous event and promotion files for The Roost Nightclub, including monthly event calendars, broadsheets and flyers, news clippings and event posters. Included with the records were Roost Nightclub plaques and trophies.
Clubs / Entertainment Venues
The fonds consists of correspondence, meeting minutes and supporting documents, reports and legislation relating to the Steering Committee, Foundation of Cultural Heritage and the Edmonton Community Foundation, 1970-1971. The fonds also includes a portrait photograph of Merrill Wolfe, 1975, that was used for an Edmonton Historical Board award.
Wolfe, Merrill E.
The Gay and Lesbian Archives captures many aspects of Edmonton’s gay and lesbian population, ca. 1970 to the mid-2000s and the growth of organizations and groups to facilitate and serve them. The primary organizations represented in the fonds, and described as the first four series of the fonds are: the Gay Alliance Toward Equality (GATE), Gay and Lesbian Awareness (GALA), the AIDS Network of Edmonton Society, and the Gay and Lesbian Community Centre of Edmonton (GLCCE). Within each of these organizations, are administrative records including bylaws, constitution, meeting minutes and documents, financial statements, and correspondence, as well as any type of activity or committee records maintained by the said organization.
There is inter-relatedness to many of these organizations, and the boundaries between their activities and mandate can be hard to distinguish from one another. Series 5, as an example, is the Edmonton Pride Festival Society records, which had origins with both GALA and GLCCE but outgrew both organizations to form its own society in 1999, and is concerned with numerous on-going annual pride events organized for Edmonton. Other series in the fonds that have origins in earlier organizations include Series 9: Civil/Human Rights; Series 12: Organizations; and Series 13: Resources and References. Responsibilities for collecting in these series shifted as organizations and their committees closed and reopened under new names and structures, and so the decision was made to organize the records within separate series to better describe them and capture this evolution.
The remaining series in the fonds represents a way to organize the records to reflect what has already been donated, but also allow for expansion as further accruals are received.
Smaller series in the fonds include series 6, the University of Alberta Gay organizations; series 7: Sporting Associations; and Series 10, Youth Related Organizations and Resources. While relatively small yet in extent, there is the potential for growth within each of these series as new University-related groups, sporting organizations, and youth-focused associations relating to Edmonton’s GLBQT population form. Gay cultural and social organizations were also established in Edmonton, and two of the series in the fonds relate directly to these: Series 8 is records of the Vocal Minority Music Society which later became Edmonton Vocal Minority, and Series 11 contains records from some of the clubs and entertainment venues that operated in Edmonton. The connection between series is again obvious, as for example, the gay entertainment clubs often hosted events and activities as fundraisers for the Aids Network of Edmonton. Continued expansion in these series is also likely.
A final series was created to capture those files created by Michael Phair, a well-known Edmontonian and activist for the gay community of Edmonton. His name is connected with many of the groups represented in this fonds, and he was a prime mover behind the gathering and preserving of the Gay and Lesbian archive.
Series are as follows:
Gay and Lesbian Archives of Edmonton
Part of Macdonald, Clifton Family fonds
File 1: Personal records - includes:
McCuaig, Vernis Clifton Christie