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The fonds consists of material created or collected by Frederick Marshall, including records on McDougall Church, Rev. Rundle’s Mission in Alberta, patient newsletters from the Royal Alexandria Hospital, some promotional material for Edmonton and Fort Saskatchewan, and handwritten reminiscences by Frederick Marshall.

The photographs include several photos of Indigenous men, women and children, including Chief Full Moon, Chief Duck and Chief Hector Crawler, and a photograph of George T. Montgomery, Mayor of Fort Saskatchewan.

The fonds also includes books and periodicals: St. Paul’s United Church Edmonton (287.9 PAU 1956), Canadian Born and Other Western Verse (819 AND 1913), Mission Among the Buffalo: The Labours of the Reverends George M. and John C. McDougall in the Canadian Northwest 1860-1876 (266.71 NIX) and Moccasin Telegraph: Magazine for HBC Fur Traders (1949 December, 1951 Winter, 1952 December).

The fonds consists of correspondence, political literature and papers relating to his service on the City of Edmonton Council and organizations of which he was a member. There is also some poetry written by James East mostly on political themes. Excerpts of File 2 and File 6 have been digitized. To view the original documents in the full context of their associated files, please contact the reference archivist.

The fonds consists of records relating to the Urban Reform Group of Edmonton (URGE), including production of a 1978 historical calendar, Board minutes, reports and correspondence. It also contains records relating to the Society for the Protection of Architectural Resources in Edmonton (SPARE) and personal correspondence.
The photographs consist mostly of buildings and street scenes in Edmonton and Toronto, ca. 1980, taken as part of research into heritage buildings for SPARE. They include the Ross Brothers and Brighton Block in Edmonton, and the St. Lawrence Market and Gooderham Building (flatiron) in Toronto (EA-560). One photograph is a portrait of Elly De Jongh used for an Edmonton Historical Board award in 1984.
The artwork consists of an ink drawing of Primrose House, 1979, as part of research on heritage buildings for SPARE (EAA-113).

The fonds consists of records created or collected by Bertha Lawrence through her involvement in various organizations and subcommittees related to the operation of the United Nations Association in Canada, specifically those of the Edmonton Branch. The organizations represented in the records include the United Nations in Canada - Edmonton Branch, The Miles for Millions UN Association subcommittee, the Edmonton & District International Aid Society, UNICEF, the Public Education Committee, as well as the League of Nations.

The records themselves consist of correspondence, minutes, receipts, financial documents, publications of both the United Nations and the UN Association, fundraising information, handbooks, a history of the United Nations Association in Canada - Edmonton Branch transcript written by Bertha Lawrence, and photographs.

The photographs consist of the activities of the United Nations In Canada - Edmonton Branch and are all described under File 15 and 50 of the file list.

The fonds consists of materials created by Frank Oliver including published and unpublished speeches and newspapers, correspondence, and typescripts of various newspaper articles relating to Frank Oliver.

The fonds consists of correspondence, minutes, reports, news clippings, notes and publications relating to the Citizens' Save Our Parks Association, 1965-ca. 1977; the Plebiscite Committee, 1965-1966; the Urban Reform Group Edmonton (URGE), 1973-1982; the Oliver Community Group, 1975; and her opposition to construction of a roadway in MacKinnon Ravine, 1965-1984.

The fonds consists of fifteen speeches made by George Van Allen during his political career on topics including agriculture, the oil industry, social services, provincial debt, the Depression, a reply to the Speech from the Throne, the Social Credit Party, the provincial budget, and the Prosperity Certificates Act of 1936. Also included are laser copies of photographs of George Van Allen as well as a black and white copy of a photograph Van Allen at his desk.