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The series consists of textual records and photographs predominantly pertaining to Harold and Winnifred Ross, and to a lesser extent their daughter Jeane. The textual records includes postcards written from Winnie to some of her family and from Harold to Winnie shortly before they were married. Some photographs include other family members of the Ross and Thompson families. The records reflect Harold and Winnie’s life from coming west as young single adults, becoming a family in Edmonton before Harold went off to war, and Winnie’s later life on the farm in Millet.

The fonds consists of accounting and other records created by William C. Marshall. It includes personal and business correspondence, financial records, account books, tax notices, real estate information, programs and photographs.

Business records include the records of Lee and Marshall, Great West Land Co. Ltd., Smith Bros. Ltd., Beaver Securities Co. Ltd. and Jasper Forest Sawmills Company Limited, as well as an investment partnership, H.R. Smith - T.G. Ashbaugh.

The fonds consists of sheet music, and a family album of postcards and greeting cards.

The majority of sheet music belonged to Christina Charters, most of which is annotated, C.J. Cavers, while others are annotated C.J. Charters, or Mrs. E. Charters. Some of the earlier pieces of sheet music are annotated M.B. Cavers, likely Christina's sister Mary Beatrice Cavers. A few pieces of music have other annotations, such as U.Y or Mrs. Young - it is not known who this is, or how related to Christina Cavers Charters.

The album of postcards and greeting cards covers multi-generations of the Cavers - Charters family. The early postcards are predominantly addressed to Everett Charters as a child ('Master Everett') or his parents, Maggie and Charles Charters. The cards are mostly from Charters or Everett relatives back in New Brunswick (Aunt Nell, Aunt Sadie, Grandma, Grandpa, Mother) and presumably sent after the family moved to Saskatchewan. Some postcards have notes or writings from the sender, others are blank. Other cards are addressed to Chrissie Cavers, before her marriage to Everett Charters.

Cards in the middle to later part of the album are addressed to Everett or Chrissie Charters, and later to their children, Kenneth or Marion. The cards are mostly from friends or relatives, and are predominantly greeting cards with some birth or memorial announcements.

It is not known if the creator of the album was a Charters family member, and Christina inherited the album upon her marriage to Everett, and continued it, or if Christina herself created the album and included cards that belonged to her or her husband prior to their marriage, as well as cards received by them once married.

The fonds consists of correspondence, certificates, manuscripts, clippings, programmes, and pamphlets from the various aspects of Howard Stutchbury’s work and involvement in the Edmonton community, including the Alberta Returned Soldier Commission, the Alberta Trade Commission, the oil and tar sands industry, the Canadian Manufacturers' Association, the Edmonton Safety Council, the Alberta Music Festival, and the Tuxis Parliament of Alberta.

The fonds consists of materials created or collected by Margaret Williams including correspondence, clippings, and pamphlets.

The series consists of daily journals (diaries), 1906-1918, 1937-1950, scrapbooks and recipe clipping books, 1945-1962 (one recipe book added to after her death), correspondence, books, and other documents relating to her life, interests and activities.