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The fonds consists of records from 1974 to 1977 created by various committees who coordinated the commemoration of the International Women's Year 1975 in Edmonton. These committees included the International Women's Year Coordinating Committee, Ad Hoc Committee, the City of Edmonton's International Women's Year Steering Committee, and the Anthology Committee.

Records include newsletters, correspondence, minutes, finances, and a City of Edmonton proclamation. Majority of the fonds consists of nomination forms with supporting documentation for each category of the City of Edmonton Recognition Program. The fonds also includes a copy of the manuscript for the anthology titled, 1975 International Women’s Year Anthology and a copy of the final publication, which was published in collaboration with the City of Edmonton’s Public Relations Department.

The fonds consists of correspondence, brochures, scrapbooks, photographs, video cassettes, publications and news clippings, and memorabilia relating to the Edmonton Commercial Graduates Basketball Club and its alumnae reunion organization, the Edmonton Grads Club.

The fonds consists of sheet music, and a family album of postcards and greeting cards.

The majority of sheet music belonged to Christina Charters, most of which is annotated, C.J. Cavers, while others are annotated C.J. Charters, or Mrs. E. Charters. Some of the earlier pieces of sheet music are annotated M.B. Cavers, likely Christina's sister Mary Beatrice Cavers. A few pieces of music have other annotations, such as U.Y or Mrs. Young - it is not known who this is, or how related to Christina Cavers Charters.

The album of postcards and greeting cards covers multi-generations of the Cavers - Charters family. The early postcards are predominantly addressed to Everett Charters as a child ('Master Everett') or his parents, Maggie and Charles Charters. The cards are mostly from Charters or Everett relatives back in New Brunswick (Aunt Nell, Aunt Sadie, Grandma, Grandpa, Mother) and presumably sent after the family moved to Saskatchewan. Some postcards have notes or writings from the sender, others are blank. Other cards are addressed to Chrissie Cavers, before her marriage to Everett Charters.

Cards in the middle to later part of the album are addressed to Everett or Chrissie Charters, and later to their children, Kenneth or Marion. The cards are mostly from friends or relatives, and are predominantly greeting cards with some birth or memorial announcements.

It is not known if the creator of the album was a Charters family member, and Christina inherited the album upon her marriage to Everett, and continued it, or if Christina herself created the album and included cards that belonged to her or her husband prior to their marriage, as well as cards received by them once married.

The fonds consists of sheet music belonging to various members of the Burrill and Field famiilies, but mostly Emerson L. Burrill and his wife, Myrtle I. Field Burrill.

Most pieces are annotated with initials or signatures: E.L. Burrill, E.L.B., Myrtle Field, M.I Field, or M.I. Burrill. A few pieces, annotated Ethel L. Field, are assumed to belong to Myrtle's sister, Ethel Louella Field.

Other pieces have no initials, signatures or annotations. It is possible, perhaps likely, that these pieces belonged to Violet S. Field.

The music is mostly sacred and spiritual, but also includes popular and patriotic works.

Note: the annotation on some Burrill pieces appears as if it could be E.S. Burrill. However it is suspected to be a short-hand fancy script for E.L. Burrill. The handwriting is identical and there are no other Burrill family members with the initials 'E.S.'.