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The fonds consists of materials created by the Edmonton Architectural firm MacDonald and Magoon Architects between 1907 and 1958. The fonds consists of approximately 6000 linen and vellum blueprints and paper drawings relating to 475 design projects undertaken by the firm of Magoon and MacDonald, and then by George Heath MacDonald. The fonds also contains related correspondence and building specifications for some projects.

This fonds consists of materials created and collected by the Edmonton Ikebana Club, including the group's constitution and bylaws, Ikebana instructional guides, financial records, and the Ikebana International Charter in Japanese binding. Also included in this fonds are four scrapbooks which contain notes, correspondence, newspaper and magazine clippings, photographs, and original drawings of Ikebana arrangements.

The fonds consists of records pertaining to the Edmonton Opera Association from 1963 to 1996. The materials include programs from Edmonton opera productions, along with invitations, brochures, and newsletters. The fonds also consists of letters wishing congratulations and sending regrets for the Edmonton Opera Association's 25th anniversary celebration in 1988. Also included in the fonds are issues from 1981 to 1983 of Encore, the official publication of The Edmonton Symphony Society, The Alberta Ballet Company, and The Edmonton Opera Association, and a poster of the 1990-1991 Edmonton opera season.

The fonds consists of the records created and gathered by Douglas Glenn Runté including playbills, programs, membership cards, ticket stubs, brochures, newspaper clippings, correspondence, and minutes of numerous theatre and dramatic societies in and around Edmonton.

The fonds consists of sheet music belonging to various members of the Burrill and Field famiilies, but mostly Emerson L. Burrill and his wife, Myrtle I. Field Burrill.

Most pieces are annotated with initials or signatures: E.L. Burrill, E.L.B., Myrtle Field, M.I Field, or M.I. Burrill. A few pieces, annotated Ethel L. Field, are assumed to belong to Myrtle's sister, Ethel Louella Field.

Other pieces have no initials, signatures or annotations. It is possible, perhaps likely, that these pieces belonged to Violet S. Field.

The music is mostly sacred and spiritual, but also includes popular and patriotic works.

Note: the annotation on some Burrill pieces appears as if it could be E.S. Burrill. However it is suspected to be a short-hand fancy script for E.L. Burrill. The handwriting is identical and there are no other Burrill family members with the initials 'E.S.'.

The fonds consists of records pertaining to the Light Opera of Edmonton including, programs, invitations, scripts, sheet music, clippings and photographs. Also included in the fonds are scrapbooks and a framed baton presented to Eileen Turner in 1963. The scrapbooks contain clippings, photographs, and other materials.

This fonds consists of the records of the Edmonton Art Club, including administrative material (meeting minutes, correspondence, membership books, and financial statements), pamphlets and notices from their annual exhibitions, and scrapbooks.

The fonds consists of the following:

• File 1: Article titled 'The Big Hotel' by Lillian Maze about the Columbia Stopping House, which was published in the Edmonton Journal (1953) and formed the basis of an article published in the Spring 1964 edition of The Alberta Historical Review. There is also a souvenir booklet 'Souvenir of the Edmonton Schools - Issued at the Opening of the High School, May 9, 1911' (1911). The Edmonton High School was later known as Victoria School.
• File 2: Painting by Lillian Maze's daughter and Edmonton Art Club member Kathleen Anne Elizabeth (Betty) Hickey titled "Columbia Stopping House". The building was located at the corner of Grierson (101A Avenue) and 96 Street. The painting was formerly described as EAA-66-1.

The photographs include EA-512-1: a portrait of Lillian Maze [ca. 1980] and EA-512: a photograph of Columbia House [ca. 1910].

The fonds of materials created or collected by Edna Kells, including fiction and non-fiction manuscripts as well as notes and clippings pertaining to these manuscripts. There are numerous short manuscripts and two book size manuscripts; one a source book of early Alberta history and one entitled "Those Wonderful McDougall Women". Most of the material deals with the pioneer history of Alberta.

This fonds consists of song books and sheet music, ranging from 1893 to 1960. It also includes stationery eraser guides marked “John Underwood & Co.” and three Klondike coins.

The photographs include her father William M. Jones at the Rat Creek incinerator, including an interior of the incinerator.